This is perhaps an odd time for Nöel Coward’s comedy about death and supernatural apparitions to land in the West End – Richard Eyre’s revival transferring from Theatre Royal Bath. On the other hand, there’s something comforting about Coward’s wartime portrait of the afterlife as essentially a continuation, with our personalities, desires and enmities very much intact. Plus the opportunity to socialise with Joan of Arc.

Read my full BroadwayWorld review here