Tom Stoppard’s latest – and possibly final – play has few of the dramatic hallmarks you might expect from him: the dazzling linguistic flourishes, the formal trickery, the knotty metaphors and giddy metatheatricality. Instead, we have a relatively straightforward, linear piece, initially overburdened by information, but with an immense accumulative power that leaves audiences awed and tearful.
- RT @DonmarWarehouse: A reminder that the closing date for applications is tomorrow at 10am - please spread the word! 1 day ago
- 'There’s an electric charge between these bodies in close proximity, in conversation': #DrawFromWithin… twitter.com/i/web/status/1… 1 day ago
- @heidistephens Ooh want! 2 days ago