Tom Stoppard’s latest – and possibly final – play has few of the dramatic hallmarks you might expect from him: the dazzling linguistic flourishes, the formal trickery, the knotty metaphors and giddy metatheatricality. Instead, we have a relatively straightforward, linear piece, initially overburdened by information, but with an immense accumulative power that leaves audiences awed and tearful.
-
Recent Posts
Tags
Archives
Follow me on Twitter
- This fitfully gritty take on the beloved musical still gives you chills: #Grease reviewed londontheatre.co.uk/reviews/grease… 9 hours ago
- @MattHemley See you there! (We go together like…) 1 day ago
- @littler_tom @OrangeTreeThtr @pmiller67 @JSTheatre Congratulations! 👏 1 day ago
Links