Tom Stoppard’s latest – and possibly final – play has few of the dramatic hallmarks you might expect from him: the dazzling linguistic flourishes, the formal trickery, the knotty metaphors and giddy metatheatricality. Instead, we have a relatively straightforward, linear piece, initially overburdened by information, but with an immense accumulative power that leaves audiences awed and tearful.
- RT @mathowie: "So you've ordered a muffin! We hope you're up for a challenge." 20 hours ago
- @strictlyblog We can but hope 1 day ago
- Oh my twitter.com/hellomag/statu… 1 day ago