London’s latest new theatre opens with an appropriately otherworldly Halloween offering: American composer Dave Malloy’s teeming 2014 song cycle, which played at the Edinburgh Festival in 2016. It’s a superb piece for demonstrating the benefits of this intimate, flexible cabaret-esque space – played here in the round, with easy audience interaction and strict maintenance of the kind of atmosphere key to Malloy’s tender piece.
- RT @TeleTVRadio: A warm welcome to our new #Strictly columnist #GregWise, who this week talks about the many trousers and tops he sweated t… 3 hours ago
- @MarianKeyes MARIAN we would have loved that!! Esp if Pasha had come out of retirement specially... 4 hours ago
- From Hollywood glam to a jive surprise and moody all-male tango: catch up on all the Week 1 action here!… twitter.com/i/web/status/1… 4 hours ago