London’s latest new theatre opens with an appropriately otherworldly Halloween offering: American composer Dave Malloy’s teeming 2014 song cycle, which played at the Edinburgh Festival in 2016. It’s a superb piece for demonstrating the benefits of this intimate, flexible cabaret-esque space – played here in the round, with easy audience interaction and strict maintenance of the kind of atmosphere key to Malloy’s tender piece.
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- @sarahhirons1 Oh cool! 2 days ago