Glass. Kill. Bluebeard. Imp., Royal Court

Caryl Churchill returns with a new quartet of shorts – and, at 81, she’s still one of the most daring, formally inventive and linguistically dexterous playwrights working today. There’s never any sense that her work could slide into another medium; it requires theatre’s abstract arena, its live-wire liveness, the crucial space for an audience to bring their own readings, and the very act of storytelling unfolding.

Read my full BroadwayWorld review here

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