How theatre should, or should not, be addressing Brexit is a constant topic of conversation. But while Lucy Prebble’s phenomenal new work – a combination of horror, espionage thriller, love story and satire, with dazzlingly theatrical framing – doesn’t centre around the B world, it is, unquestionably, the play for the present moment.
- Who danced it best at Blackpool? My technique report is up! mkmswain.com/2019/11/17/str… @TeleTVRadio #strictly #scd https://t.co/BXhnMA87NM 5 hours ago
- @Duncan_Gates God no. First book was v streamlined - almost entirely Lyra’s POV, and we only learned what she needed to know, in the moment 5 hours ago
- Still not wild about this timeline mixing. Too much exposition coming at you before you've had a chance to figure o… twitter.com/i/web/status/1… 5 hours ago