How theatre should, or should not, be addressing Brexit is a constant topic of conversation. But while Lucy Prebble’s phenomenal new work – a combination of horror, espionage thriller, love story and satire, with dazzlingly theatrical framing – doesn’t centre around the B world, it is, unquestionably, the play for the present moment.
- RT @Oscar_C_M_: Never need a reason, never need a rhyme... #StitchInTime https://t.co/Nv1lYl7VVG 1 day ago
- RT @scottygb: “We join Alan Johnson down the line from hell ... I mean HULL.” https://t.co/JLNhDpic6L 1 day ago
- RT @MarinaHyde: My bit on floundering Boris Johnson, the latest Thames whale theguardian.com/commentisfree/… 1 day ago