Phoebe Waller-Bridge is big business. She’s a TV superstar, both comedy (Fleabag) and drama (Killing Eve); a Star Wars standout; and, in theory, the feminist saviour of James Bond. But never mind all that. Theatre needs her back.
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Recent Posts
- The Play That Goes Wrong lives up to its name: how Tier 3 closed the last big theatre show standing
- Andrew Lloyd Webber: ‘Theatres had to close, but the vaccine will make things dramatically better’
- Dull girl power speeches and wild sex do not make Bridgerton a feminist triumph
- Best dance in 2021
- Manchester theatre head: Easter warnings are ‘frightening’
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