ANNA, National Theatre

Posted on May 22, 2019 by mkmswain

The audience plays surveillance state in this pioneering collaboration between playwright Ella Hickson and sound designers Ben and Max Ringham. We experience the action through individual sets of headphones, corresponding to a hidden mic on our protagonist Anna – listening in to her every exchange and private moment.

Read my full BroadwayWorld review here

This entry was posted in Journalism, Theatre and tagged 60s, anna, ben and max ringham, berlin, book tickets, broadwayworld, cold war, communist, east berlin, ella hickson, germany, headphones, national theatre, phoebe fox, review, sound design, spy, thriller. Bookmark the permalink.

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