Death of a Salesman, Young Vic

Posted on May 10, 2019 by

Seventy years on from its Broadway opening, Marianne Elliott and Miranda Cromwell present Arthur Miller’s masterpiece afresh in an inspired, shattering revival. One key change – making the 1940s Loman family African-American – gives the play a whole new texture, while retaining its searing condemnation of the American Dream’s false promises.

Read my full BroadwayWorld review here

This entry was posted in Journalism, Theatre and tagged , , , , , , , , , , , , , , , , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

Gravatar
WordPress.com Logo

You are commenting using your WordPress.com account. ( Log Out /  Change )

Google photo

You are commenting using your Google account. ( Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. ( Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. ( Log Out /  Change )

Cancel

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.