Death of a Salesman, Young Vic

Seventy years on from its Broadway opening, Marianne Elliott and Miranda Cromwell present Arthur Miller’s masterpiece afresh in an inspired, shattering revival. One key change – making the 1940s Loman family African-American – gives the play a whole new texture, while retaining its searing condemnation of the American Dream’s false promises.

Read my full BroadwayWorld review here

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