The grand finale to Jamie Lloyd’s remarkable Pinter at the Pinter season is this starry production of one of the writer’s greatest – and certainly most personal – works, inspired by his extramarital affair with Joan Bakewell. The 1978 play is famous for its reverse-chronological structure, however Lloyd’s stylish, expressionistic take emphasises the daring not just of the formal trickery, but of the unsparing scrutiny of humanity.
- RT @carolineframke: ok yes Fleabag S2 has a Hot Priest, but more importantly, it has Claire https://t.co/r7fVpNmdYx 1 day ago
- @FayebellineW Absolutely - it’s a gorgeous use of the Olivier, and great ensemble storytelling 2 days ago
- @FayebellineW Ooh enjoy! 2 days ago