The grand finale to Jamie Lloyd’s remarkable Pinter at the Pinter season is this starry production of one of the writer’s greatest – and certainly most personal – works, inspired by his extramarital affair with Joan Bakewell. The 1978 play is famous for its reverse-chronological structure, however Lloyd’s stylish, expressionistic take emphasises the daring not just of the formal trickery, but of the unsparing scrutiny of humanity.
-
Recent Posts
Tags
Archives
-
Follow me on Twitter
- Screw it, I can’t wait any longer https://t.co/xgeW3VupLd 16 hours ago
- Wordle 589 3/6 ⬜🟩⬜⬜🟨 🟨🟩⬜⬜🟨 🟩🟩🟩🟩🟩 19 hours ago
- RT @TATFS: After reading hundreds and hundreds of poems for this year's @TelegraphBooks competition, we finally have a winner! And you can… 2 days ago
Links