A remarkable true story birthed this modest Canadian musical, which went on to storm Broadway in 2017, and now makes it West End debut at a time when its heartfelt message seems more necessary than ever. In these murky, cynical times, Irene Sankoff and David Hein’s show feels like coming up for air.
- RT @DickKingSmith: It is high time that this terrific library sign goes the rounds once more... https://t.co/yL4YR8GnLq 8 hours ago
- RT @carolineframke: ok yes Fleabag S2 has a Hot Priest, but more importantly, it has Claire https://t.co/r7fVpNmdYx 2 days ago
- @FayebellineW Absolutely - it’s a gorgeous use of the Olivier, and great ensemble storytelling 3 days ago