Step away from the returns queue. The rare presence of Hollywood star Cate Blanchett on a London stage has caused a box office frenzy, but sadly this would-be provocative vehicle – Martin Crimp’s loose variations on Samuel Richardson’s 1740 proto-novel Pamela, directed by Katie Mitchell – isn’t worthy of her talents, nor those of the excellent Stephen Dillane.
- 😡 twitter.com/thr/status/109… 3 hours ago
- @CazCronin Yes, ditto. I'm reviewing March 7 - hope to see you then! 🥧 5 hours ago
- @CazCronin Definitely similar vibes to Once - lush folk score, v. grounded and heartfelt storytelling. 9 to 5 - hmmmmmmmm... 5 hours ago