Step away from the returns queue. The rare presence of Hollywood star Cate Blanchett on a London stage has caused a box office frenzy, but sadly this would-be provocative vehicle – Martin Crimp’s loose variations on Samuel Richardson’s 1740 proto-novel Pamela, directed by Katie Mitchell – isn’t worthy of her talents, nor those of the excellent Stephen Dillane.
- @Deborah_Deborah ....oh, true 😉 1 day ago
- @Deborah_Deborah They do often come down 10min or so in previews... 1 day ago
- @mrdavidjays Are We Not Drawn Onward To An Extra 'E' 3 days ago