Step away from the returns queue. The rare presence of Hollywood star Cate Blanchett on a London stage has caused a box office frenzy, but sadly this would-be provocative vehicle – Martin Crimp’s loose variations on Samuel Richardson’s 1740 proto-novel Pamela, directed by Katie Mitchell – isn’t worthy of her talents, nor those of the excellent Stephen Dillane.
- RT @mrchrisaddison: Thing is, the only good outcome of the Tory leadership contest is if they’re ALL knocked out. 4 hours ago
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- RT @Number10cat: Here’s a rule I find useful: Anyone who uses the word “Londonistan” or retweets someone using the word, is only interested… 2 days ago