Step away from the returns queue. The rare presence of Hollywood star Cate Blanchett on a London stage has caused a box office frenzy, but sadly this would-be provocative vehicle – Martin Crimp’s loose variations on Samuel Richardson’s 1740 proto-novel Pamela, directed by Katie Mitchell – isn’t worthy of her talents, nor those of the excellent Stephen Dillane.
- RT @LettersOfNote: Nora Ephron 26 years ago. https://t.co/HM5gBX56wp 13 hours ago
- Wordle 371 4/6 ⬜🟩🟩⬜⬜ ⬜🟩🟩⬜⬜ ⬜🟩🟩⬜🟩 🟩🟩🟩🟩🟩 16 hours ago
- RT @frankieboyle: I mean, it’s a drag, and we’re all busy, but there’s going to need to be some kind of revolution 16 hours ago