Step away from the returns queue. The rare presence of Hollywood star Cate Blanchett on a London stage has caused a box office frenzy, but sadly this would-be provocative vehicle – Martin Crimp’s loose variations on Samuel Richardson’s 1740 proto-novel Pamela, directed by Katie Mitchell – isn’t worthy of her talents, nor those of the excellent Stephen Dillane.
- RT @PickardJE: arguably not the best use of £100m in the history of the world https://t.co/OfbmD15UHO 42 minutes ago
- @sarahjphughes @HelenLOHara Ditto. Afraid I just found all his shirtless apparitions in the last one hysterically funny... 49 minutes ago
- RT @Markgatiss: Boris Johnson's Drag name: Diana Ditch. 1 hour ago