“Love Changes Everything”, as immortalised by Michael Ball, is the most enduring feature of Andrew Lloyd Webber, Don Black and Charles Hart’s 1989 musical – a moderate West End success, and a Broadway flop. Jonathan O’Boyle’s production, seen last year at Manchester’s Hope Mill Theatre, follows the trend for stripping back big shows to get at the heart of them; a good tactic on the whole, though challenged by a work that’s ultimately more interested in dissecting love than sharing it.
- @sarahhirons1 Oh cool! 1 hour ago
- @mrdavidjays You too! ❤️ https://t.co/CPH3OfgLya 1 day ago
- Arguably one of the more accurate portraits of showbiz - all its highs and lows, passion and precariousness, genius… twitter.com/i/web/status/1… 1 day ago