“Love Changes Everything”, as immortalised by Michael Ball, is the most enduring feature of Andrew Lloyd Webber, Don Black and Charles Hart’s 1989 musical – a moderate West End success, and a Broadway flop. Jonathan O’Boyle’s production, seen last year at Manchester’s Hope Mill Theatre, follows the trend for stripping back big shows to get at the heart of them; a good tactic on the whole, though challenged by a work that’s ultimately more interested in dissecting love than sharing it.
- @mrdavidjays @IguanaWestEnd This is ace, esp the use of the word ‘hammockry’ (and the iguanas) 🦎 5 hours ago
- @MarianKeyes Yes and it gets better and better! LOVE poor cousin Greg 6 hours ago
- @MarianKeyes My thoughts! mkmswain.com/2019/07/22/doe… 9 hours ago