“Love Changes Everything”, as immortalised by Michael Ball, is the most enduring feature of Andrew Lloyd Webber, Don Black and Charles Hart’s 1989 musical – a moderate West End success, and a Broadway flop. Jonathan O’Boyle’s production, seen last year at Manchester’s Hope Mill Theatre, follows the trend for stripping back big shows to get at the heart of them; a good tactic on the whole, though challenged by a work that’s ultimately more interested in dissecting love than sharing it.
- RT @DickKingSmith: It is high time that this terrific library sign goes the rounds once more... https://t.co/yL4YR8GnLq 8 hours ago
- RT @carolineframke: ok yes Fleabag S2 has a Hot Priest, but more importantly, it has Claire https://t.co/r7fVpNmdYx 2 days ago
- @FayebellineW Absolutely - it’s a gorgeous use of the Olivier, and great ensemble storytelling 3 days ago