The road to full musical theatre production has been a long one for Hadestown. It began back in 2006, with Anaïs Mitchell’s song cycle – a folk/jazz take on the Orpheus and Eurydice myth – toured around Vermont in a school bus, then grew into an ecstatically received concept album in 2010, and has gone through further development with director Rachel Chavkin in Off-Broadway and Canadian stagings. Now, it comes to the National ahead of a Broadway run.
- @TobyonTV Absolutely. Shame, it's lost all power now - Stacey this week was basically griping that she hadn't got h… twitter.com/i/web/status/1… 9 hours ago
- @TobyonTV And next week everyone will get 10s anyway, so it's pretty meaningless #scd #strictly 9 hours ago
- @SheilaStenhouse @allisonpearson Not at all - but sadly she doesn't have the public vote #scd #strictly 9 hours ago