But Ewan Jones’s dynamic British Theatre Academy production, with its minimal scenery and tight ensemble perfectly filling a midsize space, suggests it’s the ideal piece to go on the road – not to mention its timely, uplifting message of inclusion.
- Well look what’s just arrived! https://t.co/uW2klWiIYc 13 hours ago
- Marina Carr's #GirlOnAnAltar @KilnTheatre spells out too much, but it's superbly acted and pungently topical telegraph.co.uk/theatre/what-t… 16 hours ago
- ★★★★ Lucy Moss puts the 'camp' into campus with this joyous, inclusive revival: #LegallyBlonde @OpenAirTheatre theartsdesk.com/theatre/legall… 1 day ago