Shall we dodge? (One, two, three) No, the brilliance of Bartlett Sher’s Tony-winning Lincoln Center revival – first on Broadway in 2015, now gracing the West End, with its original leads – is that it faces the problematic elements of Rodgers and Hammerstein’s 1951 musical head on. But, in a canny reading, it finds such nuance in the piece that it feels freshly minted – if gorgeously attired in Golden Age trappings.
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