Shall we dodge? (One, two, three) No, the brilliance of Bartlett Sher’s Tony-winning Lincoln Center revival – first on Broadway in 2015, now gracing the West End, with its original leads – is that it faces the problematic elements of Rodgers and Hammerstein’s 1951 musical head on. But, in a canny reading, it finds such nuance in the piece that it feels freshly minted – if gorgeously attired in Golden Age trappings.
-
Recent Posts
- The Play That Goes Wrong lives up to its name: how Tier 3 closed the last big theatre show standing
- Andrew Lloyd Webber: ‘Theatres had to close, but the vaccine will make things dramatically better’
- Dull girl power speeches and wild sex do not make Bridgerton a feminist triumph
- Best dance in 2021
- Manchester theatre head: Easter warnings are ‘frightening’
Tags
Archives
Follow me on Twitter
- Chatted #DancingNation with the brilliant Akram Khan and Alistair Spalding - kicks off today! Also the serious chal… twitter.com/i/web/status/1… 4 hours ago
- RT @Telegraph: "This isn’t about muzzling publications or stopping critics from doing their jobs. But if they are making observations about… 4 hours ago
- It’s offensive to judge Carey Mulligan, or any actress, on her appearance and not her talents telegraph.co.uk/films/0/offens… 17 hours ago
Links