Polly Stenham’s updating of Strindberg’s Miss Julie moves the action to contemporary London, and finds both contempt and sympathy for this new version of the idle rich. But, shorn of its 19th-century context, the play struggles to make the class transgression feel dangerous, nor does this 85-minute piece dwell long enough on subjects like racism or sexism.
-
Recent Posts
Tags
Archives
-
Follow me on Twitter
- RT @TATFS: After reading hundreds and hundreds of poems for this year's @TelegraphBooks competition, we finally have a winner! And you can… 20 hours ago
- RT @BrandyLJensen: the French 1 day ago
- RT @fishlessfingers: howling at Paul Mescals driving school shouting him out https://t.co/VgvjDtOgAP 1 day ago
Links