Classic Spring’s third Oscar Wilde production gains extra piquancy from Amber Rudd’s resignation – dealing, as it does, with political scandal and social hypocrisy. It’s another facet for Jonathan Church’s well-balanced revival, which proves as handsome, witty and ultimately kindly as its beguiling hero.
- @EmiGarside @CompanyWestEnd Couldn't agree more 8 hours ago
- @EmiGarside @CompanyWestEnd You're v. welcome! And so nice to read - it's the kind of production that's so dazzling… twitter.com/i/web/status/1… 8 hours ago
- @stevenperkins Ah yes, the war on experts 8 hours ago