That this 1948 Tennessee Williams play is rarely performed seems nothing short of a travesty, thanks to the awe-inspiring case made for it by Rebecca Frecknall’s exquisite Almeida production. Aided by the skyrocketing Patsy Ferran, it also makes a case for director Frecknall as a luminous rising talent in British theatre.
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- A compelling, crackling drama heightened by modern politics: #OVCampSiegfried @oldvictheatre londontheatre.co.uk/reviews/camp-s… 2 days ago