That this 1948 Tennessee Williams play is rarely performed seems nothing short of a travesty, thanks to the awe-inspiring case made for it by Rebecca Frecknall’s exquisite Almeida production. Aided by the skyrocketing Patsy Ferran, it also makes a case for director Frecknall as a luminous rising talent in British theatre.
- Dangerous times to be a bird on London stages...🐦 #julie #kissmekate 21 minutes ago
- THIS twitter.com/soverybritish/… 4 hours ago
- Well said. Thank you for the beautiful tribute twitter.com/mcqueenfilm/st… 5 hours ago