That this 1948 Tennessee Williams play is rarely performed seems nothing short of a travesty, thanks to the awe-inspiring case made for it by Rebecca Frecknall’s exquisite Almeida production. Aided by the skyrocketing Patsy Ferran, it also makes a case for director Frecknall as a luminous rising talent in British theatre.
- A thing of beauty 😍 #dancenation https://t.co/ulEtIx2Ybf 7 hours ago
- @FayebellineW Argh I know. But how amazing is Hannah Gadsby? youtube.com/watch?v=-K_fGi… 14 hours ago
- @strictlyblog Though if you survive it (and it's paired with a second dance), at least it's out the way? Otherwise… twitter.com/i/web/status/1… 14 hours ago