That this 1948 Tennessee Williams play is rarely performed seems nothing short of a travesty, thanks to the awe-inspiring case made for it by Rebecca Frecknall’s exquisite Almeida production. Aided by the skyrocketing Patsy Ferran, it also makes a case for director Frecknall as a luminous rising talent in British theatre.
- @MarianKeyes https://t.co/Uw3fv5O8wE 12 hours ago
- @Chrisrubery Nothing stopping you from sharing your Snowdance with the world regardless... 14 hours ago
- @RaddingtonB Congratulations! 15 hours ago