Inequality is a hot topic for dramatists, but Sarah Burgess’s deliciously dark comedy comes at it from a surprising perspective: allowing those high-finance gorgons to have their say. Of course, part of the strategy is giving them enough rope to hang themselves with, but this cynical satire argues that no one is clean here; we all have our price.
- RT @carolineframke: ok yes Fleabag S2 has a Hot Priest, but more importantly, it has Claire https://t.co/r7fVpNmdYx 1 day ago
- @FayebellineW Absolutely - it’s a gorgeous use of the Olivier, and great ensemble storytelling 2 days ago
- @FayebellineW Ooh enjoy! 2 days ago