It’s 60 years since Harold Pinter’s play premiered – and flopped – at Lyric Hammersmith, baffling critics (with one exception) and audiences alike. Now, we expect the sinister subversion of both the seemingly mundane setting and the dramatic form that Pinter the jobbing actor knew from rep: that of the sub-Christie mystery thriller. But played well, as it is here by a starry cast, the play still has the power to unsettle.
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