The puppet who wants to be a real boy is all grown up in this new musical version – very much the darker side of Disney. Book writer Dennis Kelly went back to the original 19th-century Italian tale, by Collodi, and tonally, John Tiffany’s production leans more towards that incarnation: a Pinocchio recognisably in the tradition of grim Grimms’ Fairy Tales.
- Who danced it best at Blackpool? My technique report is up! mkmswain.com/2019/11/17/str… @TeleTVRadio #strictly #scd https://t.co/BXhnMA87NM 5 hours ago
- @Duncan_Gates God no. First book was v streamlined - almost entirely Lyra’s POV, and we only learned what she needed to know, in the moment 5 hours ago
- Still not wild about this timeline mixing. Too much exposition coming at you before you've had a chance to figure o… twitter.com/i/web/status/1… 5 hours ago