Girl from the North Country, Old Vic

Defiantly rejecting the standard jukebox model, Conor McPherson’s much-anticipated new work mining the back catalogue of Bob Dylan is labelled “a play with songs” – or perhaps that should be a play and songs, with two distinct forms of storytelling weaving around one another, reflecting, deepening, revealing, in exquisitely soulful harmony.

Read my full BroadwayWorld review here

Advertisements
This entry was posted in Journalism, Theatre and tagged , , , , , , , , , , , , , , , , , , , , , , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s