One American great inhabits another in this superior cabaret, as the Broadway legend Audra McDonald slips into the skin – and unforgettable voice – of jazz icon Billie Holiday. The emotional sensitivity makes it far more than just an immensely skilful impersonation, and makes McDonald’s delayed West End debut well worth the wait.
- Well look what’s just arrived! https://t.co/uW2klWiIYc 12 hours ago
- Marina Carr's #GirlOnAnAltar @KilnTheatre spells out too much, but it's superbly acted and pungently topical telegraph.co.uk/theatre/what-t… 15 hours ago
- ★★★★ Lucy Moss puts the 'camp' into campus with this joyous, inclusive revival: #LegallyBlonde @OpenAirTheatre theartsdesk.com/theatre/legall… 1 day ago