American playwright Branden Jacobs-Jenkins asserts that the nightmarish workplace depicted in Gloria bears little resemblance to his time at the New Yorker, but that tension between truth and imagination adds a nicely meta layer to this spiky portrait of the ways in which we appropriate, fictionalise and commercially repackage reality.
- Wordle 336 3/6 ⬜⬜⬜⬜🟨 🟨🟨🟨⬜🟩 🟩🟩🟩🟩🟩 11 hours ago
- Glorious to picture Stoppard following the Wagatha Christie case... telegraph.co.uk/theatre/what-t… 1 day ago
- RT @carsonsarah: If you haven't already subscribed to @theipaper, what are you doing? I'm sure everyone will agree my Culture newsletter ma… 1 day ago