Sacred and profane, trivial and profound blissfully combine in this irresistible, Olivier Award-winning tale of choirgirls gone wild. Lee Hall, of Billy Elliot fame, adapts Alan Warner’s 1998 novel with a similarly shrewd grasp of youthful hope amidst challenging circumstances, and with the arts once again proving a vital escape – albeit, in this case, temporarily.
- @mrdavidjays Although that's kind of a Dylan experience in itself... 1 hour ago
- @mrdavidjays Exactly - it fit his determined stoicism. I've just been reminded he did the Phantom film: youtube.com/watch?v=N2iU8X… 1 hour ago
- @mrdavidjays And oh god yes - one of the performances of 2017 1 hour ago