Sacred and profane, trivial and profound blissfully combine in this irresistible, Olivier Award-winning tale of choirgirls gone wild. Lee Hall, of Billy Elliot fame, adapts Alan Warner’s 1998 novel with a similarly shrewd grasp of youthful hope amidst challenging circumstances, and with the arts once again proving a vital escape – albeit, in this case, temporarily.
- Love this twitter.com/SopanDeb/statu… 4 hours ago
- RT @mrdavidjays: "If you had to patent one thing in the theatre, it's surprise." Sondheim brings the wisdom, talking to @Lin_Manuel https:/… 4 hours ago
- @marksiddall84 I yelped-laughed 8 hours ago