Salome, that dancing seductress who demanded the head of John the Baptist, has been reclaimed by Yael Farber in this new feminist interpretation (the RSC stages Oscar Wilde’s more familiar take next month). Or at least that’s the intention, but Farber’s production sacrifices the personal for the mythic – ironically once again losing the woman history erased in a storm of overblown symbolism.
- RT @mogster: This is EPIC! Get your tickets before they’re gone! 👇👇👇 twitter.com/projectovation… 23 hours ago
- @alice White Company does lovely ones 23 hours ago
- Oh joy, the latest OS update makes Apple Mail completely hideous to look at 1 day ago