Salome, that dancing seductress who demanded the head of John the Baptist, has been reclaimed by Yael Farber in this new feminist interpretation (the RSC stages Oscar Wilde’s more familiar take next month). Or at least that’s the intention, but Farber’s production sacrifices the personal for the mythic – ironically once again losing the woman history erased in a storm of overblown symbolism.
- Love this from @jessiecath on #MuchAdo. Would def watch an alternate version where the women get sloshed in a tequi… twitter.com/i/web/status/8… 1 hour ago
- RT @islandniles: That don't impress me much https://t.co/e9uFC2JBJO 2 hours ago
- RT @nicole_soojung: I wrote about parenting, representation, The Winter's Tale, and Asian American Shakespeareans for @Hazlitt: https://t.c… 2 hours ago