Salome, National Theatre

Salome, that dancing seductress who demanded the head of John the Baptist, has been reclaimed by Yael Farber in this new feminist interpretation (the RSC stages Oscar Wilde’s more familiar take next month). Or at least that’s the intention, but Farber’s production sacrifices the personal for the mythic – ironically once again losing the woman history erased in a storm of overblown symbolism.

Read my full BroadwayWorld review here

Advertisements
This entry was posted in Journalism, Theatre and tagged , , , , , , , , , , , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s