It’s a bigly Trump-fest over at the Donmar, with adaptor Bruce Norris determined to make Brecht great again – or at least pointedly contemporary. Despite a legal disclaimer in the knowing prologue, the current tangerine regime looms large, replacing (or indeed merging with) Hitler as the main target in this parable of emerging demagoguery, set in Thirties gangland Chicago.
- Well look what’s just arrived! https://t.co/uW2klWiIYc 12 hours ago
- Marina Carr's #GirlOnAnAltar @KilnTheatre spells out too much, but it's superbly acted and pungently topical telegraph.co.uk/theatre/what-t… 14 hours ago
- ★★★★ Lucy Moss puts the 'camp' into campus with this joyous, inclusive revival: #LegallyBlonde @OpenAirTheatre theartsdesk.com/theatre/legall… 1 day ago