Obsession, Barbican

“Everybody wants passion,” says Ivo Van Hove in the programme interview for his latest show, but in both tone and aesthetic, his take on this doomed romance is less red-hot fire of ardour, more the cold, grey ash left in the wake of a consuming flame. It’s intermittently beautiful and thoughtful, but lacks the necessary fervour that binds lover to lover, and audience to material.

Read my full BroadwayWorld review here

Advertisements
This entry was posted in Journalism, Theatre and tagged , , , , , , , , , , , , , , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s