How quickly should art react? The National’s Great Britain opened right on the heels of the 2014 phone-hacking trial, and here again the theatre is speedy with this response to the EU referendum. But, as with Brexit itself, the piece feels rather in limbo: caught in the midst of unfolding events, rather than able to fully and insightfully reflect on them.
- RT @KateMaltby: Yes, yes @Alex_Lily newyorker.com/culture/cultur… 18 hours ago
- RT @GrmCpr: He's been!! #EdBallsDay https://t.co/1FYtAv7jWx 18 hours ago
- RT @matttrueman: Time Out New York has let its theatre editor go. TIME OUT. NEW YORK. twitter.com/americantheatr… 19 hours ago