Fifty years on, Tom Stoppard’s absurdist tragicomedy is back in the theatre where it had its professional premiere, and still just as dazzlingly virtuosic. If some of its gags, musings and metatheatrical tricks have since become overfamiliar through imitation, that’s surely testament to its enduring influence.
- @FayebellineW Argh I know. But how amazing is Hannah Gadsby? youtube.com/watch?v=-K_fGi… 4 hours ago
- @strictlyblog Though if you survive it (and it's paired with a second dance), at least it's out the way? Otherwise… twitter.com/i/web/status/1… 4 hours ago
- @mrdavidjays Viscerally, even 1 day ago