Perhaps this is an unfashionable stance in the “tired of experts” era, but for me Strictly’s Musicals Week highlighted a more general issue with this series: we’ve had too much of our ballroom dancers attempting other styles, rather than their own. The pro numbers are overwhelmingly contemporary or theatrical, and the quarter-final’s theming meant every competitive routine was ballroom dancers having a crack at West End.
- @MattHemley Obvious solution https://t.co/aCD8vOIvOK 4 hours ago
- RT @guardianstage: ‘I broke the contract’: how Hannah Gadsby's trauma transformed comedy theguardian.com/stage/2018/jul… 6 hours ago
- @mrdavidjays Absolutely! 8 hours ago