Perhaps this is an unfashionable stance in the “tired of experts” era, but for me Strictly’s Musicals Week highlighted a more general issue with this series: we’ve had too much of our ballroom dancers attempting other styles, rather than their own. The pro numbers are overwhelmingly contemporary or theatrical, and the quarter-final’s theming meant every competitive routine was ballroom dancers having a crack at West End.
- RT @MattGertz: I think this, from The New York Times' Amy Chozick, is the most detailed and direct admission from someone on the 2016 Clint… 7 hours ago
- @mrdavidjays ...! Perhaps they thought it would read as jocular/ironic? 12 hours ago
- RT @MarinaHyde: My bit on our government of shameless shirkers and the Windrush scandal theguardian.com/commentisfree/… 12 hours ago