“Inmates, coming through.” That’s our introduction to Phyllida Lloyd’s landmark trilogy, as the homogenised prisoners are steered through the audience by prison officers. But this extraordinarily empathetic project, developed with Clean Break, gives those inmates individual voices and means of expression, while the all-female cast that inhabit them gives new voice to three familiar plays.
- RT @RebeccaFront: L’shana Tova, to all my Jewish friends. 58 minutes ago
- 💪 twitter.com/whedonesque/st… 1 hour ago
- @SarahHemm This is why we so desperately need Government-backed insurance - otherwise how can anyone mount a big production or tour? 1 hour ago