Shakespeare Trilogy, King’s Cross Theatre

Henry IV“Inmates, coming through.” That’s our introduction to Phyllida Lloyd’s landmark trilogy, as the homogenised prisoners are steered through the audience by prison officers. But this extraordinarily empathetic project, developed with Clean Break, gives those inmates individual voices and means of expression, while the all-female cast that inhabit them gives new voice to three familiar plays.

Read my full BroadwayWorld review here

Advertisements
This entry was posted in Journalism, Theatre and tagged , , , , , , , , , , , , , , , , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s