Ye olde love triangle returns, this time as the centrepiece of a rock chamber musical that premiered Off-Broadway in 2013 and now makes its UK premiere. There’s a good guy, a bad boy, and the promise of a violent end, but despite the oft-referenced roiling passions – and a storming quartet of performances – Sam Yates’s staging feels too cool and clinical for its purportedly hot-blooded subject.

Read my full theartsdesk review here