Brexit-ish rants, generational divide, tax dodging and Middle East chaos: the contemporary resonance of John Osborne’s 1957 state-of-the-nation play The Entertainer is almost eerie. Paired with an effective metaphor – the dying days of music hall – it’s a strong closing piece for the Kenneth Branagh Theatre Company’s Garrick residency.
- RT @MatthewKBegbie: When straight men share their trash opinions about Mamma Mia 2: https://t.co/W0w6CHNu6M 25 minutes ago
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- @FayebellineW Seldom see the reverse... 1 hour ago