Branagh is assured but lacks true desperation

Posted on September 9, 2016 by mkmswain

Brexit-ish rants, generational divide, tax dodging and Middle East chaos: the contemporary resonance of John Osborne’s 1957 state-of-the-nation play The Entertainer is almost eerie. Paired with an effective metaphor – the dying days of music hall – it’s a strong closing piece for the Kenneth Branagh Theatre Company’s Garrick residency.

Read my full Ham & High review here

This entry was posted in Journalism, Theatre and tagged archie rice, brexit, comedian, comedy, dancing, garrick theatre, greta scacchi, ham and high, john osborne, kenneth branagh, laurence olivier, middle east, music hall, review, singing, suez canal, tap, the entertainer, vaudeville, west end. Bookmark the permalink.

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