Brexit-ish rants, generational divide, tax dodging and Middle East chaos: the contemporary resonance of John Osborne’s 1957 state-of-the-nation play The Entertainer is almost eerie. Paired with an effective metaphor – the dying days of music hall – it’s a strong closing piece for the Kenneth Branagh Theatre Company’s Garrick residency.
- RT @carolineframke: ok yes Fleabag S2 has a Hot Priest, but more importantly, it has Claire https://t.co/r7fVpNmdYx 16 hours ago
- @FayebellineW Absolutely - it’s a gorgeous use of the Olivier, and great ensemble storytelling 1 day ago
- @FayebellineW Ooh enjoy! 1 day ago