Brexit-ish rants, generational divide, tax dodging and Middle East chaos: the contemporary resonance of John Osborne’s 1957 state-of-the-nation play The Entertainer is almost eerie. Paired with an effective metaphor – the dying days of music hall – it’s a strong closing piece for the Kenneth Branagh Theatre Company’s Garrick residency.
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- Strictly Speaking: Week 8
- Strictly Week 8: Whose technique failed them in a dramatic dance?
- Strictly Speaking: Week 7
- Strictly Come Dancing Week 7: Whose Latin technique got them in trouble?
- Strictly Come Dancing – with its first same-sex dance tomorrow, is the show keeping in step with the modern dance world?
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