Brexit-ish rants, generational divide, tax dodging and Middle East chaos: the contemporary resonance of John Osborne’s 1957 state-of-the-nation play The Entertainer is almost eerie. Paired with an effective metaphor – the dying days of music hall – it’s a strong closing piece for the Kenneth Branagh Theatre Company’s Garrick residency.
- RT @KateMaltby: Yes, yes @Alex_Lily newyorker.com/culture/cultur… 18 hours ago
- RT @GrmCpr: He's been!! #EdBallsDay https://t.co/1FYtAv7jWx 18 hours ago
- RT @matttrueman: Time Out New York has let its theatre editor go. TIME OUT. NEW YORK. twitter.com/americantheatr… 19 hours ago