Womanising detectives, shapely dames, gangsters and convoluted criminal conspiracies: Richard O’Brien and Richard Hartley’s 1982 musical take on Carter Brown’s California-set whodunit fiction is pulp noir to the max. However, unlike the pair’s previous collaboration, the indelible Rocky Horror Show, this is more homage than send-up – arch but fairly straightforward storytelling in place of riotous, risqué pastiche.
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- A compelling, crackling drama heightened by modern politics: #OVCampSiegfried @oldvictheatre londontheatre.co.uk/reviews/camp-s… 2 days ago