Emma lies, professionally and pathologically. She’s a struggling actress, and her zeal for living lives other than her own is the biggest barrier to her recovery from drugs and alcohol addiction. Duncan Macmillan’s searing piece, which transfers after a sold-out National run, is dizzyingly metatheatrical, unpicking layers of stage artifice to illustrate the stripping back of the rehab process.
- @mrdavidjays You too! ❤️ https://t.co/CPH3OfgLya 19 hours ago
- Arguably one of the more accurate portraits of showbiz - all its highs and lows, passion and precariousness, genius… twitter.com/i/web/status/1… 19 hours ago
- Phew! Such a layered, provocative film - constantly confronting you #LockdownTheatreClub #AllThatJazz 19 hours ago