After putting a modern spin on the Oresteia, with memorable results, director Robert Icke takes on another classic. No samovars here: Icke has stripped back, anglicised and revitalised Chekhov, obliterating the space between story and spectator. His zoomed-in vision offers rich, intimate psychology, but it’s also naturalism bereft of context – present-day rural England as murky substitute for the remote 19th-century Russian province facing seismic change.
- In September @Move_To Arts: #ThomasCole @NationalGallery, #TheLehmanTrilogy @NationalTheatre, Glenn Close in… twitter.com/i/web/status/1… 39 minutes ago
- Frecknall/Ferran Three Sisters, OH YES https://t.co/jLfNZp2HzV 4 hours ago
- @FayebellineW Absolutely! And so glad to see that's carried over to the West End - a really special atmosphere and… twitter.com/i/web/status/1… 4 hours ago