Lolita Chakrabarti’s impassioned debut has only gained topicality since its 2012 Tricycle incarnation. Trevor Nunn’s all-white Wars of the Roses and #OscarsSoWhite, among others, have fanned its flames, while quips about a paranoid Russian regime and the limits of English openness to change seem all too pertinent. Cameron might well borrow the woolly idea of “new based on the old” during the European referendum debate.
- @FayebellineW Same! 34 minutes ago
- @strictlyblog Aw! Pictures, please 1 hour ago
- The usual zany Blackpool night. Some scoring inflation, but not across the board. Particularly enjoyed Joe and Ashl… twitter.com/i/web/status/1… 1 hour ago