Lolita Chakrabarti’s impassioned debut has only gained topicality since its 2012 Tricycle incarnation. Trevor Nunn’s all-white Wars of the Roses and #OscarsSoWhite, among others, have fanned its flames, while quips about a paranoid Russian regime and the limits of English openness to change seem all too pertinent. Cameron might well borrow the woolly idea of “new based on the old” during the European referendum debate.
- ‘By the time we’re allowed to reopen, we may be too decimated to do so’: More frustration for the arts...… twitter.com/i/web/status/1… 15 hours ago
- RT @Oscar_C_M_: Never need a reason, never need a rhyme... #StitchInTime https://t.co/Nv1lYl7VVG 1 day ago
- RT @scottygb: “We join Alan Johnson down the line from hell ... I mean HULL.” https://t.co/JLNhDpic6L 1 day ago