Lolita Chakrabarti’s impassioned debut has only gained topicality since its 2012 Tricycle incarnation. Trevor Nunn’s all-white Wars of the Roses and #OscarsSoWhite, among others, have fanned its flames, while quips about a paranoid Russian regime and the limits of English openness to change seem all too pertinent. Cameron might well borrow the woolly idea of “new based on the old” during the European referendum debate.
- @stevenperkins Er, the heady days of Gethin Jones? 7 minutes ago
- @Mccoll131 Hmmmmmmmm 9 minutes ago
- @mzlondon Very true - sometimes it's a pleasure getting to know a rando over the series. Just thought there'd be at… twitter.com/i/web/status/1… 10 minutes ago