Almost 30 years after its frostily received premiere, Stoppard’s spy drama has come in from the cold. Howard Davies’ slick Hampstead revival brings clarity to the initially bewildering combination of physics, philosophy and postmodern Le Carré romp, creating a production that works equally as self-deconstructing pastiche and engrossing, cinematic thriller.
- RT @nbcsnl: This year's Oscar nominee theme: 🎶 White Male Rage 🎶 #SNL https://t.co/GCb8mSXqwr 1 day ago
- RT @TobyonTV: Adam Driver should do more comedy (also, he would have been so good as himself in Larry Sanders) https://t.co/IfcSG6SiU6 1 day ago
- @West_End_Frame @BroadwayWorldUK @CarrieHFletcher @lesmisofficial @HeathersMusical @Andrew_Tomlins It's a fab stagey listen! 🎭 1 day ago