Almost 30 years after its frostily received premiere, Stoppard’s spy drama has come in from the cold. Howard Davies’ slick Hampstead revival brings clarity to the initially bewildering combination of physics, philosophy and postmodern Le Carré romp, creating a production that works equally as self-deconstructing pastiche and engrossing, cinematic thriller.
- RT @EmmaKennedy: Let’s all stick this on our computers and stare at it every day until March 29 2019, shall we? https://t.co/yZJM7kyCPa 5 hours ago
- @mrdavidjays A good pun is its own reword 5 hours ago
- @MattHemley Obvious solution https://t.co/aCD8vOIvOK 1 day ago