Following Farinelli and the King, here’s another gently aimless drama about opera and – more circuitously – the inestimable value of art. David Hare takes us back to 1934 and the birth of Glyndebourne, with Rae Smith’s design illustrating its distinctive blend of public and private.
- @stevenperkins There's no business like shoe business 3 minutes ago
- @stevenperkins I was hypnotised by The Shoe 1 hour ago
- @michaelhogan @gillalexander @DanRebellato @stevenperkins @strictlyblog @CybillLiberty @Chrisrubery Fab-u-lous job as always, Michael! x 3 hours ago