Following Farinelli and the King, here’s another gently aimless drama about opera and – more circuitously – the inestimable value of art. David Hare takes us back to 1934 and the birth of Glyndebourne, with Rae Smith’s design illustrating its distinctive blend of public and private.
- @chrisharnick https://t.co/JsFIdderJU 48 minutes ago
- @heidistephens Oh no!! It’s been crap this end too 😢 x 52 minutes ago
- RT @Lin_Manuel: ❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️ 3 hours ago