Following Farinelli and the King, here’s another gently aimless drama about opera and – more circuitously – the inestimable value of art. David Hare takes us back to 1934 and the birth of Glyndebourne, with Rae Smith’s design illustrating its distinctive blend of public and private.
- @Stijntsje In theory - but makes it more of a lottery #strictly #scd 13 hours ago
- Votes for Danny, Kate, Graeme #strictly #scd 13 hours ago
- Breakthrough...in doing something he clearly could do pre-show. Good luck being back in ballroom next week #strictly #scd 13 hours ago