Last year, American poet/playwright Marcus Gardley scored a hit at the Tricycle by transporting Lorca to 19th-century New Orleans, and his loose adaptation of Molière’s 1664 Tartuffe seemed equally promising – the hypocritical religious devotee becoming a Deep South charlatan preacher. But, in Indhu Rubasingham’s unrelentingly broad production, the original’s subversive message is sacrificed for toothless slapstick.
- @TobyonTV Absolutely. Shame, it's lost all power now - Stacey this week was basically griping that she hadn't got h… twitter.com/i/web/status/1… 8 hours ago
- @TobyonTV And next week everyone will get 10s anyway, so it's pretty meaningless #scd #strictly 8 hours ago
- @SheilaStenhouse @allisonpearson Not at all - but sadly she doesn't have the public vote #scd #strictly 8 hours ago