Last year, American poet/playwright Marcus Gardley scored a hit at the Tricycle by transporting Lorca to 19th-century New Orleans, and his loose adaptation of Molière’s 1664 Tartuffe seemed equally promising – the hypocritical religious devotee becoming a Deep South charlatan preacher. But, in Indhu Rubasingham’s unrelentingly broad production, the original’s subversive message is sacrificed for toothless slapstick.
- RT @itssophiemorris: Wow - what a front page! @Independent https://t.co/c937rfvwxW 5 hours ago
- TBH couldn't be more thrilled to be Karen Brewer. Dramatic Geminis unite! vulture.com/article/baby-s… 16 hours ago
- RT @NickHernBooks: New government guidance on outdoor performances includes this tip that performers should only attend performances when r… 16 hours ago