Last year, American poet/playwright Marcus Gardley scored a hit at the Tricycle by transporting Lorca to 19th-century New Orleans, and his loose adaptation of Molière’s 1664 Tartuffe seemed equally promising – the hypocritical religious devotee becoming a Deep South charlatan preacher. But, in Indhu Rubasingham’s unrelentingly broad production, the original’s subversive message is sacrificed for toothless slapstick.
- @mrdavidjays Although that's kind of a Dylan experience in itself... 1 hour ago
- @mrdavidjays Exactly - it fit his determined stoicism. I've just been reminded he did the Phantom film: youtube.com/watch?v=N2iU8X… 1 hour ago
- @mrdavidjays And oh god yes - one of the performances of 2017 1 hour ago