The “femmepersonators” of Harvey Fierstein’s 1962-set drama would be flabbergasted by today’s level of trans visibility, from Grayson Perry and Caitlyn Jenner to Transparent and Eddie Redmayne’s new film The Danish Girl. Yet it’s the still pertinent issue of private experience versus public profile that sparks a schism in this idyllic community of closeted cross-dressers, along with thorny questions of how gender fluidity might correlate with a more flexible approach to identity and sexuality.
-
Recent Posts
- Time to bring back Strictly Come Dancing’s ‘live TV’ edge
- Strictly Speaking: Week 12
- Strictly Come Dancing 2019 semi-final: who danced it best? Kelvin Fletcher is the technical master across two dances
- End of the 2010s: BroadwayWorld’s Best Shows of the Decade
- Ravens: Spassky vs. Fischer, Hampstead Theatre
Tags
Archives
Follow me on Twitter
- @VikkiJane @TeleTVRadio Thanks! x 9 hours ago
- The BBC has sucked the spontaneity out of Strictly Come Dancing – time to bring back the 'live TV' edge… twitter.com/i/web/status/1… 10 hours ago
- @Nataliealana87 Eek! Hope it fits in somewhere 12 hours ago
Links