Can you peg a whole play on a decent twist? When We Were Women’s narrative tease pays off interestingly, but takes a hell of a long time getting there. It leaves little space to explore the ramifications of an intriguing revelation, a frustration amplified by the constant chronological cross-cutting in this revived Sharman Macdonald work, first seen at the National in 1988.
- RT @LauraMSteven: This is happening on the Philip Pullman 'name a character' lot and I'm now sobbing uncontrollably. #authorsforgrenfell ht… 6 hours ago
- @stevenperkins https://t.co/tP6Vax00vz 6 hours ago
- RT @roisin_donohoe: Honouring the brave women who do noble work risking life and limb as initials https://t.co/AXFtccN5ee 6 hours ago