The latest transatlantic transfer is curiously esoteric, concerning as it does an obscure period in the lives of two great men: Laurence Olivier and Orson Welles. The centenary of the latter’s birth makes this an apt moment for the European premiere of Austin Pendleton’s Chicago-originating 2000 play, but its appeal may not extend beyond dedicated students of theatre history.
- @mrdavidjays Although that's kind of a Dylan experience in itself... 1 hour ago
- @mrdavidjays Exactly - it fit his determined stoicism. I've just been reminded he did the Phantom film: youtube.com/watch?v=N2iU8X… 1 hour ago
- @mrdavidjays And oh god yes - one of the performances of 2017 1 hour ago