Art imitates life in Chekhov’s tale of parasitic creatives, and on opening night in Regent’s Park, the reverse also came to pass when a resident moorhen waddled over to greet the dead seagull. It’s a compliment to Matthew Dunster, who fully embeds the Russian tale in our north London park, while Torben Betts’s sparky free adaptation gives the 120-year-old work an effortlessly contemporary feel.
Read my full Ham & High review of The Seagull here
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