At its best, theatre doesn’t just communicate ideas or invite distanced empathy. It completely immerses us in the experience of another human being. Florian Zeller won France’s top drama prize, the Molière Award, for 2014 play The Father, and Christopher Hampton’s meticulous translation retains its savage power to plunge audiences into the world of a dementia sufferer.
- ‘By the time we’re allowed to reopen, we may be too decimated to do so’: More frustration for the arts...… twitter.com/i/web/status/1… 15 hours ago
- RT @Oscar_C_M_: Never need a reason, never need a rhyme... #StitchInTime https://t.co/Nv1lYl7VVG 1 day ago
- RT @scottygb: “We join Alan Johnson down the line from hell ... I mean HULL.” https://t.co/JLNhDpic6L 1 day ago