Genre mixing is a perilous business. Successful hybrids use duelling forms to re-contextualise or revolutionise; others wind up fatally diluting their disparate elements. Ayckbourn’s 1994 sci fi comedy thriller – featuring, at its nadir, a farcical defenestration mistaken for a lesbian sex romp – falls into the latter camp.
- @FayebellineW Absolutely - it’s a gorgeous use of the Olivier, and great ensemble storytelling 15 hours ago
- @FayebellineW Ooh enjoy! 17 hours ago
- @michaelhogan Love me or leaf me 1 day ago