Genre mixing is a perilous business. Successful hybrids use duelling forms to re-contextualise or revolutionise; others wind up fatally diluting their disparate elements. Ayckbourn’s 1994 sci fi comedy thriller – featuring, at its nadir, a farcical defenestration mistaken for a lesbian sex romp – falls into the latter camp.
- @heidistephens Brilliant as always! xx 6 hours ago
- @EnlightBystand @EmmaisaChampion Sadly, family and Strictly do not mix... 7 hours ago
- @mrsspanner Afraid not! 7 hours ago