As we stagger towards electoral chaos, isn’t it comforting to think there might be a master plan at work? That Russell Brand’s meddling is preordained, or Cameron’s ‘brain fade’ an act of divine intervention? The second play in Rufus Norris’s inaugural season – and first with the new boss in the director’s chair – constructs a self-consciously colloquial, contemporary framework for 15th-century morality tale Everyman, but no amount of synchronised coke-sniffing, public urination or shiny mannequins disguises the fact that this universe’s unquestionable, safely ordered Christianity renders it alien.
- @MattHemley Obvious solution https://t.co/aCD8vOIvOK 9 hours ago
- RT @guardianstage: ‘I broke the contract’: how Hannah Gadsby's trauma transformed comedy theguardian.com/stage/2018/jul… 11 hours ago
- @mrdavidjays Absolutely! 13 hours ago