As we stagger towards electoral chaos, isn’t it comforting to think there might be a master plan at work? That Russell Brand’s meddling is preordained, or Cameron’s ‘brain fade’ an act of divine intervention? The second play in Rufus Norris’s inaugural season – and first with the new boss in the director’s chair – constructs a self-consciously colloquial, contemporary framework for 15th-century morality tale Everyman, but no amount of synchronised coke-sniffing, public urination or shiny mannequins disguises the fact that this universe’s unquestionable, safely ordered Christianity renders it alien.
- 😡 twitter.com/thr/status/109… 3 hours ago
- @CazCronin Yes, ditto. I'm reviewing March 7 - hope to see you then! 🥧 4 hours ago
- @CazCronin Definitely similar vibes to Once - lush folk score, v. grounded and heartfelt storytelling. 9 to 5 - hmmmmmmmm... 4 hours ago