If Chiltern Firehouse is any indication, power in our society lies not in bank balance, postcode or job title, but in being seen nibbling crab doughnuts at the hottest restaurant in town.
Becky Mode’s merciless skewering of that particular ego trip first delighted the discerning palates of Menier Chocolate Factory audiences in 2004 and makes a welcome return for the theatre’s 10th anniversary, now directed by original star and creative collaborator Mark Setlock.
He and Mode both did time in pretentious Big Apple eateries, Setlock answering phones and Mode waiting tables – hellish experiences, evidently, but now transformed into deliciously scathing comic fare.
Read my full theartsdesk review here
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